News dalla rete ITA

17 Giugno 2021

Stati Uniti


We Aren’t Fair-Weather Friends’ Announcing that its purpose is “to take head-on the cancel culture that is destroying the publishing industry and the country,” the All Seasons Press was opened Tuesday (June 15) by Kate Hartson and Louise Burke. In using that phrase “cancel culture,” the newly minted company has invoked what Margaret Sullivan at the Washington Post today (June 16) writes, in a different context, is “the scare word getting applied to almost anything these days, meant to evoke a beatdown from some unforgiving woke mob.” The news about All Seasons Press–and the language it has used to introduce itself–highlights an ongoing debate in the publishing industry in both the United States and in other markets: In times of extraordinary political dynamics, how are publishers’ roles impacted? Widely publicized efforts have been made by staff members at Big Five publishing houses, for example, to pressure their executives on various book acquisitions. If anything, some of those efforts—like objections to books by members of the ousted White House administration—give fuel, of course, to cries from some quarters that figures from the Trumpist right are being “canceled.” In fact, the language of the announcement of the new publishing venture’s creation carries more such lingo used by many who court Donald Trump’s base of voters. A sample: “All Seasons Press intends to publish the best writers, politicians, and pundits in the conservative movement. The company is open to welcoming those authors who are being attacked, bullied, banned from social media, and, in some cases, outright rejected by politically correct publishers.” Those following these arguments will know that the phrase “outright rejection” is surely a reference, in part, to Simon & Schuster’s cancellation on January 7 of its contract with Sen. Josh Hawley, Republican of Missouri, after Hawley had helped lead objections on January 6 to certification of Joe Biden’s victory over Donald Trump. Conservative and/or right-wing presses and imprints (the designation is often in the eye of the beholder) are in no way new, of course. Hawley’s book, for example, has been picked up by one such publisher, Regnery Publishing. What’s striking here is the arrival of a house that announces itself immediately using the “cancel culture” phrasing of the Trumpian Republican Party. As Jeffrey A. Trachtenberg at the Wall Street Journal writes, “Louise Burke, the former president and publisher of Simon & Schuster’s Gallery Books Group, and Kate Hartson, whom Hachette Book Group dismissed as editorial director of its Center Street imprint earlier this year, said conservative authors are finding it harder to get published in the post-Trump era.” And media messaging from the new All Seasons Press establishes the type of content Burke and Hartson expect to produce. They announce three titles: Rush on the Radio by James Golden (who is known as Bo Snerdly), producer of the late right-wing talk-show radio commentator Rush Limbaugh The Chief’s Chief by Mark Meadows, who was the last chief of staff in the Trump White House In Trump Time: My Journal of America’s Plague Year by Peter Navarro, former Trump aide and director of Washington’s Office of Trade and Manufacturing The new press reportedly expects to add a fourth title this fall and 10 releases in 2022. Publishing, Freedom of Expression, and Challenging Times Alexandra Alter and Elizabeth A. Harris at The New York Times note that book deals have been struck by Trump White House players Jared Kushner, Kellyanne Conway, and former vice-president Mike Pence. “But others from the Trump administration,” Alter and Harris write, “have had a tougher time with mainstream publishers. Those companies have struggled to find a balance between promoting a range of voices—including conservative authors who can sell a lot of copies—and heeding their employees, readers, and authors who consider it morally unacceptable to publish them.” The debate, at its essential level, is one generally sorted out by the publishing industry’s traditional allegiance to freedom of expression and a resulting conviction that even voices some will find unsavory are to be heard in the interest of true civic dialogue[...] To read the full article click on the link below (ICE CHICAGO)

Fonte notizia: Publishing Perspective